Filming has begun for Us, BBC One’s four-part drama adapted by David Nicholls from his hugely popular novel of the same name.
Tom Hollander (Baptiste, The Night Manager) will be joined by Saskia Reeves (Luther, Shetland), Sofie Gråbøl (The Killing, Fortitude), Tom Taylor (Doctor Foster, The Dark Tower), Iain De Caestecker (Agents of S.H.I.E.L.D, The Fades) and Thaddea Graham (Curfew, The Letter for the King), with casting by Sarah Crowe. It is produced by Drama Republic and Bandstand Productions.
Douglas Petersen (Tom Hollander) is blindsided when his wife Connie (Saskia Reeves) tells him that she’s not sure she wants to be married to him anymore. Agreeing to still go on their planned family grand tour of Europe, Douglas vows to win back the love of his wife and repair his troubled relationship with their son Albie (Tom Taylor).
Reflecting David Nicholls' signature mix of humour and heartbreak, Us brings the Petersens' poignant and often hilarious story to life, taking viewers with them on their once-in-a-lifetime journey through some of the most beautiful cities in the world.
David Nicholls says: “It’s a huge thrill to see the novel come to life, and with such a wonderful cast and production team. We want to make something funny, touching and beautiful, to really explore marriage and family life, all against this incredible backdrop.”
Tom Hollander and Hannah Pescod say: “We are delighted to be working with Drama Republic and the great David Nicholls in bringing his beautiful novel to BBC One. The trials of the Petersens will strike a chord with many - a family tale for our times.”
Piers Wenger, Controller of BBC Drama, says: “We feel so honoured to be bringing David’s beautiful novel to BBC One and to have the brilliant Tom Hollander and Saskia Reeves playing the leading roles. We are thrilled to work with David and Drama Republic once again and also with Bandstand Productions on their debut drama for the BBC.”
Greg Brenman and Roanna Benn, Executive Producers for Drama Republic, say: “David Nicholls is a unique and rare talent who miraculously manages to intertwine profound emotion with full-on humour. This glorious adaptation has attracted an exceptional cast in Tom Hollander, Saskia Reeves and Sofie Gråbøl. We couldn’t be more excited to begin filming.”
Us is executive produced by Greg Brenman and Roanna Benn for Drama Republic, Tom Hollander and Hannah Pescod for Bandstand Productions, Jo McClellan for BBC One and David Nicholls. It is directed by Lisa Siwe (Temple, Modus) and distributed internationally by BBC Studios. Filming will take place in London, Amsterdam, Venice, Barcelona and Paris.
哈哈哈哈哈哈哈哈哈真的太搞笑了，各种吐槽抛梗和恶趣味hhhhhhhhhhhh
反转不断，挺好的，这导演是专门拍这种略黄的电影的吧？
这7.9分是咋打出来的，被欺骗了，看到豆瓣评价不错就跑去看了，结果大失所望，最多三星，将就能看，觉得除非特别喜欢柯南不值得去电影院浪费时间。柯南被蒙眼带去见安室，手机却还能正常使用，蒙眼的意义在哪？这个炸弹设计的儿戏且敷衍。俄罗斯人抓了小胖警察，还用小胖警察的电话不止一次联系高木，警察不能定位吗？高木假扮松田去见俄罗斯人，除了个耳机身上都没点其他定位监控之类的装备，柯南跟踪器、眼睛都这么溜了，警察太不专业了......
真的好好笑啊，全程我足足笑了三次之多🙄导演兼主演真的很努力，也很能折腾，但…鉴于超英的审美疲劳感延续，这个惊声尖笑式的无厘头恶搞同样让人无比疲劳，真的，好笑在哪里？
女主很美，情节上也有多处翻转，但是笑点不是很多
除了少儿不宜之外，其他没什么缺点，我这种电影看多了的人很少笑，这部电影大笑了两次，一次是幻想上厕所，二次是小丑演员被吊起来那段
毫无节操恶搞超英，虽然比起老美来法国佬还是太拘束了但是依旧很好笑哈哈哈哈哈哈哈，我终于懂了超级英雄为什么要内裤外穿，笑疯了
好嗨啊！简直就是一部彩蛋电影。从漫威到DC还有x战警，恶搞了好多超级英雄，还cos了好多经典电影和桥段。剧情也流畅，好看好看！
前半部分感觉还不错，结果到后面又现原形了，就不能有期待啊。
自侦探们的镇魂歌之后就没看过柯南剧场版了，感想就是这也太难看了吧，早听说柯南剧场版已经转型动作片，但还是扯得超乎了我的预估，太多无法理解的地方（犯人说对方不记得打过电话然后警察那边居然也不查一下？？？为什么那位俄罗斯老哥不能先在俄国修好电脑再来日本？？？）还有最后柯南抱住那个俄罗斯妹子，然后那个妹子震惊地睁大眼睛接着失声痛哭的段落，日本动画这么多年来怎么演出方式还这么陈旧，变都不变一下，最后那个球阿笠博士真不是发明了对城武器吗。另外另外想吐槽这部的佐藤警官塑造得也太不专业，像是高木被抓走后直接掌掴那个警察？？？为什么青山如此热衷于塑造女生生气随便扇人巴掌。还有最后高木受着伤都在拼命拉绳子，佐藤却在一旁看着震惊说你受伤了怎么不说啊？？？好吧我不该和儿童向卡通片较真。
《警视厅恋爱物语剧场版》
毕竟看了20多年了，带点滤镜，不难看就是好看。
恶搞DC+漫威，主体是荤段子+地狱笑话，但也不乏好段子和灵光一闪的点子，难能可贵的是极短的片长内故事不仅很完整还有表有里有铺垫有内涵。
菲利普拉肖➕法式喜剧简直爽翻了，虽然各种屎尿屁，各种无厘头和恶搞，恶趣味，段子密集程度很可以，也很离谱，不过观看过程中极度舒服
哈哈哈实在是太好笑了，今年最酣畅淋漓的喜剧观影体验，我在家里真的笑出了鹅叫😂😂😂疯狂玩梗，讽刺效果点满，某些迪士尼游乐园电影真的要无地自容了，法国的这个喜剧组合真的太天才了，真的不怕华纳迪士尼两家一起陪你打官司吗😂😂😂剧情是简单了点，情节推进是生硬了点，但这不妨碍它很快乐呀，私心给个五星。
很好看，看到飞人安室透和反重力柯南你甚至会觉得，比起赤井秀一让子弹飞和神拳无敌京极真，人类可能还会做到这些。前半段剧情渲染得很好，还有几个梗很有趣(大叔麻醉耐性笑死了)，后半段进推理有一说一有点扯。
还挺好看的，近五年来剧情做得最好的大电影。主线情节方面，主要是警察学校篇五人组的故事线，有感人有热血，有大场面涩谷爆炸，最后还在小新一这里收束了世界线。感受到了柯南系列特别是大电影继续拍续作的商业前景和生命力。唯独一点，推理的元素越来越弱了，完全就是二次元商业大片无限续作系列😂
法国人恶搞还是蛮可以的，有些剧情还蛮逗的。导演打错电话结果导致原 BAD MAN 演员撞头灯杆反而让男主拿到了角色，树枝上甩出去马蜂窝和电击枪电鱼塘，和歹徒争斗抢手枪击中消防栓弹走女记者，试药产生幻觉以为在卫生间上厕所，裤裆里炸气球，学蜘蛛侠翻身吻女记者结果被吻了丁丁，闯入小学生嘉年华，豪宅抢小丑演员的儿子，烟花导致刚维修好的巴黎圣母院再次被烧，真枪被混到了片场的道具中导致阿汤哥屁股被击中还被观众误会为行为艺术。结尾有点儿甜，相爱何处不相逢？
暴力是不暴力，但黄是真的黄。
元素太多，没全get到，披着这些点，故事其实很薄弱，搞搞笑啥啥亲情友情线，完了。
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