Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
（吴世勋吓我一跳 长得和我记忆中的脸庞略有不同）
冲着李光洙来看，然而又拖沓又尬，企鹅也是挺莫名其妙的
流水线产品，打击感轻飘飘的，花拳绣腿一般的套招，看得眼皮打架哈欠连天。
2022.3.5 Netflix
屁大的王国，士兵守卫都没一个；只有五官大大的公主开挂。
非常好看，特效非常棒，感情线细腻！！欢迎大家tou条搜索(影视小布丁)的解说。
作为爆米花喜剧片看还可以，比一些国内制造尴尬笑点的喜剧片好看。
想要拍成韩版加勒比海盗然后冒险不多搞笑太硬成了小丑一样就是网飞砸钱出来的特效还不错拉着大船冲浪🏄♀️！
没有感情全是技巧啊，从头打到尾，普通剧情大概占了10%？我就把它置顶放一边倍速让他们打着，不一会没注意就看完了🚬
最惊讶的是导演以前是拍国内五毛网大的（此处五毛是真五毛），但是放在这部片子看似乎导演能力也不是很差。虽然动作设计也几乎没有，动作戏游戏感都很强，不过女性夺权这个主题贯彻的还是挺好。只是我以为迪士尼和hulu共同的项目，起码应该有一些像无敌2里吐槽公主的那些梗的实体化展示，结果也没有，就是一个b级血浆片的拍法而已。导演以前拍那些东西，起码应该做的cult一点也没做，唯一有点趣的是一个中世纪故事但是对城堡解构内饰的想象明显很东方，让人看出一种国内少儿科普书的感觉。（女二比女主有气质，还挺神似辛芷蕾）
蒽…真的很吵很尬的一部电影 全员乞丐团着装又抹黑粉很像挖煤挖了大半生被放出来的人…我认为他韩最应该放弃的影片类型一是古装（因为滤镜调色和道具质感都很劣质）二是大片（航天航海通通pass你们真的走不出好莱坞路线切拜）很可惜这部片全都占了所以不仅特效服装劣质再加上垃圾剧情所以埋了也是很正常的…打两星主要是作为韩孝周家属给的人情分（不是）我们韩姐还能活跃在荧幕上我就很高兴了 宝多多拍戏当然能挑挑剧本的话我会更感激不尽🥵
上一次看这么带感的电影还是《硬核亨利》。4星给直接。没有连篇累牍的文戏，上来就干，通篇流畅打斗。公主敏系定位，全程开挂，长镜头动作戏调皮又灵活快意，游戏感强，细节又足够R，真要说遗憾就是缺了个连续换装。要是《美少女特工队》、《花木兰》这么痛快，又岂会风评仆仆。
纯纯的打戏很过瘾，但动作设计单一，看久了疲劳
这Video game不用显卡也渲染的好真实啊！doge
真的是毫无剧情和内涵，但是动作打斗设计的挺好，就像云看了一部act游戏通关视频，每个关卡设计的还挺有趣。公主真的好耐打啊
剧情突出一个扯淡，看漂亮大姐姐耍酷就行了。
作为爆米花喜剧片看还可以，比一些国内制造尴尬笑点的喜剧片好看。
迪士尼的公主系列新作，不过这个公主和之前娇滴滴的公主们不同，是个武力值爆表的公主。迪士尼的出身就意味着这是个真人童话故事，没必要太当真。图个乐呵就好了嘛。
琳真是全电影最帅的那个!!(她出现的时候就已经猜到最后不是重伤就是死，尤其是对上那男的，不过还行，没死
我看得很开心，我爱性转版的所有经典传统男性英雄故事，王子复仇记变成了公主复仇记
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